Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate
Shiraiwa-yaki Crescent Moon Plate

Shiraiwa-yaki Crescent Moon Plate

￥7,700
/
Shipping calculated at checkout.
Size
  • In stock, ready to ship
  • Inventory on the way

 

Traditional Shiraiwa-yaki meets Aoi Watanabe's contemporary touch 

These crescent moon plates tell the story of their maker, Aoi Watanabe. The traditonal namako glaze and subtle doro glaze that her family revived and developed meet Aoi-san's contemporary sensibilities, the techniques she learned in Kyoto, and the modern and minimalist designs that inspire her. 

Studio: Shiraiwa-yaki Waheegama
Origin: Shiraiwa, Akita
Dimensions: H3cm x W17.5cm (m) H2.5cm x W13cm (s) 
Weight: 415g (m) 210g (s)
Materials: Namako Glaze

*the studio's price of this product has gone up as of September 2023

This site is protected by hCaptcha and the hCaptcha Privacy Policy and Terms of Service apply.

For MEMENTOS Shiraiwa-yaki accessories:

In order to maintain the inherent quality of Shiraiwa Ware, brooches is not coated. 

Handle with care. 

Do not wet the product.  

Avoid excess humidity, aridity, and direct sunlight. 

Avoid sudden temperature changes due to contact with heated or cold objects.  

If the brass fittings begin to darken, wipe with a soft cloth before wearing. To prevent the metal fittings from discoloring, store your brooch in an airtight bag. 

For Shiraiwa-yaki Tableware:

Soak thoroughly with water before use (there is no need to soak these items in rice water or other special methods to prepare them for use.) The golden and platinum plated items should be thoroughly saturated with water the first few times before use as the plated areas are particularly prone to absorbing the smells and colors from food. It is also recommended that tableware used for soy sauce, Japanese sake, and other foods or drinks with strong aromas and colors are soaked in water several times before use.

After using your tableware, quickly wash it with dish soap, rinse, and let it dry thoroughly before storing.

The handmade items from Shiraiwayaki Waheegama often have tiny holes on the surface of the glaze called “Kanyu.” This is not a defect, but rather a special characteristic of this pottery.  

If you are concerned about stains, such as tea stains, on your tableware, we recommend washing the items with salt or baking soda.

You can use items with a dishwasher. However, it is recommended to wash thin pieces by hand.

Avoid using a microwave with golden and platinum plated pieces. All other glazed items can be used with a microwave. 

白岩焼和兵衛窯

Shiraiwayaki Waheegama

This craft was brought to life during the Edo Period when Unshichi Matsumoto, famous for his Oborisoma ware, was invited to Akita as an expert in the transformation of mined materials. Upon discovering the unique and high-quality soil in Shiraiwa, he launched the first Shiraiwayaki kiln, which went on to become a flourishing industry with as many as 5000 potters in its heyday.

However, the craft completely disappeared due to the Akita Semboku Earthquake of 1914, and other various events of the Meiji Period. It remained extinct for 70 years, until Aoi Watanabe's mother, a descendent of Shiraiwayaki potters, revived it as a young university graduate in 1975, an undertaking which was almost unheard of for a female potter at that time. Today there is only one kiln in operation: the Waheegama kiln, run by the Watanabe family.

海鼠釉

Namako Glaze

A traditional glaze with a speckled texture similar to a sea cucumber.

渡邊葵

Aoi Watanabe

Although she voluntarily took over the Waheegama kiln, in the beginning, Aoi Watanabe was not the biggest admirer of the Namako Glaze, preferring more muted designs instead. Her biggest concern was how to make this glaze, which had exclusively been used for folkloric pieces, work in today’s society. As an admirer of Scandinavian designs, she was inspired to express the warmth of the Namako Glaze through more modern designs. Not only does the Shiraiwa craft continue to live on through her contemporary pieces, Aoi's personality also shines through, as she incorporates the gold plating and rokurome techniques she picked up in Kyoto.

Our customers on Aoi Watanabe's works

You may also like

A cylindrical tea caddy made of cherry bark sits on a white background with its lid closed. The cherry bark has a natural red and orange striped pattern. It is polished and very shiny.
A cylindrical tea caddy made of cherry bark sits on a white background with its lid open. There is a second smaller lid sealing the inside of the cylinder. The cherry bark has a natural red and orange striped pattern. It is polished and very shiny.
A close-up of a cylindrical tea caddy made of cherry bark sits on a white background. The cherry bark is visible up-close and has a natural red and orange striped pattern. It is polished and very shiny.
A cylindrical tea caddy made of cherry bark sits on a white background with its lid closed. The cherry bark is brown and rough like the bark of a tree.
A cylindrical tea caddy made of cherry bark sits on a white background with its lid open. There is a second smaller lid sealing the inside of the cylinder. The outside surface of the cylinder is brown and rough like the bark of a cherry tree. The inside is smooth and polished and has a natural red and brown striped pattern.
Cherry Bark Tea Caddy Slim
￥14,000
A rectangular wooden box made of cherry bark sits on a white background with its lid open. The outside of the box is rough like the bark of a cherry tree. The inside of the box is reddish-brown, polished and shiny. The box is placed diagonal to the viewer.
A rectangular wooden box made of cherry bark sits on a white background with its lid open. The outside of the box is rough like the bark of a cherry tree. The inside of the box is reddish-brown, polished and shiny. The box is placed diagonal to the viewer.
A rectangular wooden box made of cherry bark sits on a white background with its lid closed. The outside of the box is rough like the bark of a cherry tree. The long edge of the box is facing the vieewer.
A close up of a rectangular wooden box made of cherry bark sits on a white background with its lid closed. The outside of the box is rough like the bark of a cherry tree and has a lot of texture.
Cherry Bark Rectangular Box
￥11,000
Obizutsu Cherry Bark Tea Caddy Large Silkyoak
￥21,000
A rectangular wooden plate made of cherry bark on a plain white background. The cherry bark's natural pattern is deep red with orange stripes. The bark is polished and shiny. The plate's long edge faces the viewer.
A rectangular wooden plate made of cherry bark on a plain white background. The cherry bark's natural pattern is deep red with orange stripes. The bark is polished and shiny. The plate is angled diagonally from the viewer.
A close up of a rectangular plate made of shiny red cherry bark on a plain white background. The cherry bark's natural pattern is deep red with stripes of orange. The plate is polished and shiny.
A rectangular wooden plate made of shiny red and orange cherry bark. A brown leather-bound book sits on top of the plate.
A rectangular wooden plate made of shiny red and orange cherry bark. On the plate are a white and silver pencil, a thin, green leather-bound notebook, a thicker brown leather-bound notebook, and on on top of the brown book, a pencil crayon with one red end and one navy blue end.
Aiita Plate Mujikawa
￥6,000
Cherry Bark Brooches by MEMENTOS
from ￥14,000
Obizutsu Cherry Bark Tea Caddy Large Wendge
￥21,000
Sold Out
Obizutsu Cherry Bark Tea Caddy Tea Scoop Set
￥16,500